Tevar review, rating

Tevar review, rating
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Highlights

Tevar Review, Rating the Hindi remake of the Telugu hit Oakkadu which starred Mahesh Babu hit theatres today.

Tevar, the Hindi remake of the Telugu hit Oakkadu which starred Mahesh Babu hit theatres today. Tevar Review, Rating. Before we tell you the reasons to watch or not watch the movie, let's take a look at the production crew.



Directed by Amit Ravindernath Sharma


Produced by Boney Kapoor, Sanjay Kapoor, Sunil Lulla, Naresh Agarwal, Sunil Manchanda


Written by Shantanu Srivastava (Dialogue)


Screenplay by Amit Sharma, Shantanu Srivastava


Story by Gunasekhar


Based on Okkadu by Gunasekhar


Starring Arjun Kapoor, Sonakshi Sinha, Manoj Bajpayee


Music by Songs: Sajid-Wajid Imran Khan


Background Score: Clinton Cerejo


Cinematography Laxman Utekar


Edited by Dev Jadhav


Production company Sanjay Kapoor Entertainment Pvt.Ltd


Distributed by Eros International


Plot:


Pintoo is a young Kabbadi player who goes to Agra for a match and innecessarily gets drawn into factionism which changes his life for ever. In a twist of fate, he saves Radhika from Gajendar Singh, a dangerous faction leader, who is in love with Radhika and wants to marry her against her wishes. Pintoo tries to comfort her because Gajendar Singh killed both brothers of Radhika. Pintoo brings Radhika to his house and decides to send her abroad to save her from Gajendar Singh. This is complicated by the fact that Radhika falls in love with Pintoo and that Pintoo dad is the top Cop in charge of finding Radhika, as per the order of corrupt home minister of the state. The home minister is into helping Gajendar Singh. Pintoo conceals Radhika. Whether Pintoo is able to achieve his Kabbadi target and whether, Radhika & Pintoo unite forms the crux of the story.


Review:

According to first reports coming in, the movie is a winner with the Film critics declaring it a box office hit.


Rating as per the preliminary reports:
3.5/5



Twitter talk on Tevar:

Funny, how more things change, the more they remain the same. "Tevar", which is one of the most engaging Bollywood masala dossiers in recent months, takes us through the crowded 'gallis', 'mohallas' and 'akhadas' of Agra and Mathura in search of that elusive thing called love.

This is a love story where most of the playing-time is devoted to the protagonists locked in a scuffle of the most physical and violent kind. And yet, there's a core of tenderness in the film, manifested in Sonakshi Sinha's melting pleading eyes as she makes a run away from the city's arch-goon Gajender Singh (Manoj Bajpayee, bang-on), who has taken a shine to her.

Mind you, it's not a lecher's lascivious love. It's true love.

Bajpayee interprets the besotted goon's character with such intuitive warmth that you almost feel sorry for this vicious uncouth 'katta'-carrying ruffian turning into jelly when love strikes at a dance performance, which incidentally could've been better choreographed.

Never mind. There is no telling about tastes, specially when a man loses his heart while the local lass swirls twirls and unfurls a wave of endless violence that ends at Terminal 3 of the Delhi airport.

Bajpayee's character's love for the spirited Radhika would have made for a more interesting case-study on the wayward ways of the heart than the other liaison between the hero and the heroine. As the love-smitten sociopath, Bajpayee instills inner reserves of wicked unexpectedness in scenes that seem to be written to accentuate the demoniacal duffer's embarrassing attempts to be romantic. Bajpayee takes the character beyond the precincts ofA parodic evil.

At the end of the day, "Tevar" is a showcase for Arjun Kapoor's heroics, so much so that the hero's friends -- so much an integral part of the mofussil drama with Salman Khan in "Tere Naam" or Tusshar Kapoor in "Mujhe Kucch Kehna Hai" -- are reduced to a babbling blur. Make no mistake, this is Arjun Kapoor's one-way ticket to some 'hero-giri'. And would Mahesh Babu please move over?

Indeed, the film offers Arjun the chance to take his substantial stardom to the next level. He grabs the opportunity with both hands. From his stunning introductory sequence where he makes his way into a kabaddi match by indulging in some earthy parkour to the climactic fist fight with Bajpayee, Arjun doesn't let go of even a moment of the opportunity to juice his character for all the adrenaline that it is worth.

A film about characters on the run, stands the risk of running out of breath. "Tevar" averts the wheezy and adopts the breezy momentum of a narrative hurling towards a pre-empted bloody finale. Oh yes, the film is violent. Extremely so. But it is not the sickening life-sucking violence of "Ghajini" or the recent "Lakshmi".

The action scenes, though stretched out, are shot skilfully in the comicbook mode. You could almost see debutant director Amit Sharma thinking of the original fights in the Telugu hit "Okkudi" being reproduced here in tactile terms.

The narrative is pickled with crackerjack action sequences. And if Arjun is the self-confessed 'Salman ka fan' hero of "Tevar", then action director Sham Kaushal's kicks and grunts are the hero's hefty heroic ammunition.

The supporting cast is sketchy at the most with Deepti Naval trying bravely to paint shades into her shadowy character. But it's the redoubtable Raj Babbar who springs a surprise. Playing the wastrel hero's upright policeman-dad Babbar succeeds in swerving his stereotypical character into unexpected areas of empathy.

In fact, Babbar's character epitomises the film's mood. We've seen the same plot a million times. "Tevar" makes the familiar look fresh and engaging.

If 2014 ended with a bang called "PK", 2015 if off to a flying start with this bumpy joyride of a film, a cat-and-mouse chase film with smartly written scenes that leave us hankering for more.

In the film, Sonakshi's character is shown to remove all the 'matar from the paneer' whenever she is served the dish. But we don't mind taking the corny dialogues which come with the captivating scenes.

Director Amit Sharma takes a very basic plot of a small-town boy on the run with a hapless girl whom the city's biggest goon wants to forcibly marry. This isn't the first time that Sonakshi has played the damsel in distress. She knows the character by heart.

In a couple of sequences, such as the one where Arjun smears holi colours on her face, and/or the pre-climactic interlude where he attacks Bajpayee with the arsenic of sarcasma, Sonakshi nails the character. This is her best performance after "Lootera".

Luckily for the script, Arjun and Sonakshi look like the kind of people who can bump into one another due to a bizarre chain of events, and then fall in love. The build-up to the couple's growing mutual fondness doesn't have a convincing graph. But what the film has in huge amounts, is inner faith in the filmy formula, and a virile fluency in the narrative pattern.

This week, just forget about gods and aliens. Just go have a good time watching an unpretentious unapologetic masala film.

Rating 4/5

Review by Subhash K Jha

Check out the movie trailer to get a peek into the story



We will soon be back with the report on box office collection. So, come back for all the movie updates.

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