Live
- Nadendla finds PDS rice ready for smuggling in rice mill
- Man arrested for murder of 44-year-old woman
- BCs are backbone of NDA govt in AP: Savitha
- Three held for rice pulling business, police recover Rs. 25L
- TGCSB nabs fraudsters for cheating businessman of Rs.7.19 cr
- Revanth govt dampened festive spirit, fumes KTR
- Ratan Tata to be cremated with full state honours: Maharashtra CM
- 6-yr-old raped, murdered in Punjab’s Ludhiana
- CM Revanth Reddy Expresses Condolences on the Passing of Ratan Tata
- SVU performs well in Times Higher Education World University Rankings
Ustad goes Wah
Since the 1970s, he has collaborated with musicians as diverse as John McLaughlin, Mickey Hart and Bill Laswell on a plethora of genre-defying fusion projects. Yet, tabla maestro Zakir Hussain doesn\'t like being called as the \"flagbearer\" of fusion music, which he says has \"existed in India for a thousand years\".
The tabla maestro, Zakir Hussain, who will perform a solo concert in Hyderabad in January speaks about the fusion music in India
Since the 1970s, he has collaborated with musicians as diverse as John McLaughlin, Mickey Hart and Bill Laswell on a plethora of genre-defying fusion projects.
Yet, tabla maestro Zakir Hussain doesn't like being called as the "flagbearer" of fusion music, which he says has "existed in India for a thousand years".
According to Hussain, the devotional music reminded Khusro of the kaul and kalbana," which were the sufi singing forms of meditation, now known as Qawwali".
"He took the forms from temples and the kaul and kalbana and meshed them together and came up with the form of music now known as khayal, which all north Indian classical musicians perform. So, the fusion began then," Hussain added.
Hussain credits late sitar maestro Pandit Ravi Shankar for taking Indian classical music to the stage.
"Someone like Ravi Shankar took it (Indian classical music) abroad and created what we now know was the stagecraft of Indian classical music, which is how to perform Indian classical music on stage because it was restricted to the palaces," said the internationally celebrated musician, who started touring when he was all of 12.
The musician released a live album called ‘Distant Kin’ earlier in September, which features collaboration between Indian classical and Celtic music.
Hussain said that the music which the Scottish musicians played reminded him of the tunes he had heard as a child at a dargah in Mumbai's Mahim neighbourhood, where a marching band played instruments like "bagpipes, Peshawari shehnai, horns from the western world, western snare and bowl in a frame drum".
"When I arrived in Scotland, I asked the musicians to play the Celtic music. The songs that they started to play were what I had heard as a nine- or 10-year-old. It turns out that 150 years ago, in the British army on the frontier land, there were musicians from both countries inducted into the band or the marching band of the British army.
Hussain, meanwhile, is looking forward to his live show.
"What's interesting to me is that when I did the first advertisement for Taj Tea that was in Agra overlooking the Taj. There was just the tabla and me and after 40 years, when I go to Hyderabad, it is going to be just that tabla and me. In other words, it is the same visual and same memory from way back; and that for me is emotional," he said.
